Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Johann Zoffany
David Garrick as Macbeth and Hannah Pritchard as Lady Macbeth

ID: 44569

Johann Zoffany David Garrick as Macbeth and Hannah Pritchard as Lady Macbeth
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Johann Zoffany David Garrick as Macbeth and Hannah Pritchard as Lady Macbeth


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Johann Zoffany

German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.  Related Paintings of Johann Zoffany :. | Portrait of Ann Brown in the Role of Miranda | Paisaje con un grupo de familia | Herzog Franz Stephan I. von Lothringen | Queen Charlotte at her Dressing Table (mk25) | The Sharp Family |
Related Artists:
James Caldwall
British b.1739 d. in or after 1819
CAGNACCI, Guido
Italian Baroque Era Painter, 1601-1681
christopher r.w.nevinson
christopher r.w.nevinson(1889 to 1946)English painter. Son of H. W. Nevinson, the war correspondent and author, he studied painting at St John's Wood, London, in 1908, although his formative years as a student were spent at the Slade School of Art (1909-12) in London. He was influenced by Impressionism and Post-Impressionism, as well as Sandro Botticelli, as seen from an early Self-portrait (1911; London, Tate). The Futurist Exhibition of March 1912, held at the Sackville Gallery, London, proved decisive for his development. He met Gino Severini and returned with him to Paris where he encountered Umberto Boccioni, Ardengo Soffici, Guillaume Apollinaire and Amedeo Modigliani. He continued his studies at the Acad?mie Julian and the Cercle Russe in Paris, announcing his affiliation with Futurism by exhibiting a painting called Rising City (1912; lost) in the Friday Club exhibition of January 1913. Its title was a homage to Boccioni's painting, City Rises (1910; New York, MOMA), which had been shown at the Futurist Exhibition.






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